Extensive export features including multitrack stem export, simultaneous multi-format exports, multiple export ranges, CD track markers, silence trimming, normalization, and command-line arguments to trigger third-party encoders or file-management scripts.Recording operates like a tape machine: Punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine.Support for video timeline, video window, and audio+video exports.The lastest-generation of Harrison's "True Analog Mixing™" processing engine with enhanced compressor/limiter algorithms, built-in sidechain bussing, and increased plug-in flexibility.Persistent undo (undo remains possible after closing and reopening a session).Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync video pullup/pulldown.Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX and VST3, VST and LV2 plug-ins on all platforms.Extensive DAW editing features including "Smart Tool", Ripple Edit, and configurable keybindings for nearly every operation.Comprehensive "at-a-glance" metering with peak, peak hold, and compressor gain reduction visible on every track and bus.Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.Stereo Master Bus that features Tone Controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.Polarity, Input trim, High-pass Filter, Sweepable 3-band EQ, Compression, and 8 Mix Bus sends on every track.Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts (limited only by CPU and disc speed).Clip Launching and bundled content: use Clips to define a groove, then trigger them with Cue Markers on the timeline.4 Pages to support your workflow: Cue (for creative clip-launching), Rec (for linear multitrack recording), Edit (full-featured DAW-style editing) and Mix!.The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible. ![]() Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.Straightforward "knob per function" mixer layout based on Harrison's renowned music consoles.Last but not least, the internal engine is dithered and ramped, in order to try and maintain the closest possible feel to that of the analog sound. The original parametric, four-band sweepable equalizer of the 32C is maintained, coupled with separately switchable filter sections, complete with low and high-pass filters, as well as dedicated modeling for resistors, capacitors, and transistors from the original configuration. Modern audio processing requires the utmost in terms of consoles for digital sound production and although the analog era has passed, its legacy in terms of the footprint it embeds on the audio content is still craved and required.īuilding on the established reputation of Harrison consoles, Mixbus32C aims at offering a digital emulator of the famous 32C mixer, fully-featured with the knob-per-function layout that made the aforementioned console so famous.Īside from offering a traditional controls layout, for the enhanced instrument “feel”, the console also addresses the analog signal characteristics, by offering a dedicated, “True Analog” function for mixing. However, there are so many fields where the expression validates through example, and one such domain is the professional sound production. ![]() Having the right tool for the job seems cliché by even the most objective views these days.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |